Artist’s Name:
·
Joan Miro
·
Maurice Tabard
Title of Artwork &
Date of Work: 1964 Bleu by Joan Miro
·
1960’s Haunting and Surreal photo by Maurice
Miro
Description:
·
He did works in sculpture, painting, and worked
as a ceramist. Much of his influence came from the scenic seaside town, and the
distinct style that he found in the area.
·
Tabard
was one of the leading photographers of the surrealist movement, which he
entered under the influence of his friend, the American photographer Man Ray.
Analysis:
·
Focuses on a variety of influences, and
different trends including a variety of bright colors that were common in his
area. He added shapes that were commonly used in the cubism art form.
·
His photo-montages,
double exposures and solarized prints from the late 1920s and 1930s made him a
visionary artist.
Interpretation:
·
Applying colors how words shape poems and how
notes shape music
·
At an early age, Maurice Tabard studied fabric
design at his father's silk manufacturing plant in France. This is why you
would see many fabrics in his photos, to express his love of fashion.
Judgment: Make a personal decision about the
artworks degree of success and an example of why you feel the way you do.
·
I think Joan Miro’s artwork is successful. The
reasoning and thought behind his work compliments what he is trying to
communicate to the viewer. Using bright colors attracts attention, and this is
what he used to do so.
·
The Contrast within Maurice’s photography really
shows the Haunting and Surreal effect of his work. Most of his pictures were in
black and white (1920’s-30’s) and this added to his cause.
·
Both of these artists were born in the same time
period. They were also influenced by foreign art such as French, Spanish and
American photography. However, what made these two artists so different was
their interpretation of surreal photography. Miro was more of a bright and
vivid artist while Maurice was a black and white with low contrast type of
artist.
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